
July Thoughts
My goodness, I cannot believe we are here. It is the middle of the year. Summer is once again upon us.
It has been a crazy three months. I was thrown out of my house for a couple of months because of a leak, but work continued, YouTubing continued, writing continued.
I am launching my second Kickstarter next weekend when the Kickstarter for Blood and Bloom in Las Vegas kicks off. More on that in writing updates, in the mean time:
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FOLLOW THE PROJECT!
I'm also quite far with World-Building Blueprints Volume II, and will probably launch that Kickstarter in a couple of months. So if you're looking forward to that urban fantasy development, it's coming.
I've just kicked off a new royal court series on YouTube, where I delve into the intricacies and complexities of constructing a royal court. There is more on my thoughts on that in this newsletter.
All of that makes this a pretty interesting half year. Let's get into it.
Table of Contents
Blood and Bloom in Las Vegas
Blood and Bloom in Las Vegas marked my first venture into urban fantasy, and the inspiration behind it was the magic system. I wanted to create a world where magic originates from the realm of fairy, with various disciplines on Earth manipulating fairy dust in unique ways to produce magical effects. The idea was to avoid a single, uniform method of magic, as that doesn’t align with the diversity found in historical magic traditions.

My goal was to design a magic system that feels organic, deeply connected to community, and reflective of the esoteric studies, legends, and myths of the past.
In this world, mortals with a touch of fay blood—known as faykin—can harness fairy dust to power their spells.
Fairy dust is created by bloomfay (Little fairies like the one shown here, though there are both male and female bloomfay. When they do the Devil's Tango, fairy dust results.)
However, faykin can’t simply channel magic through their bodies, as it’s overwhelming without the aid of a fairy patron. Instead, fayking shape spells externally through various disciplines and then infuse them with fairy dust.
The main character and narrator, Lily, practices a druidic discipline using Ogham script. She carves spells onto fallen tree branches, infuses them with fairy dust, and activates their effects. Her lover follows the Japanese sumi-e tradition, creating spell pictures and infusing them with fairy dust. The story also introduces alchemists who use alchemical symbols and solutions, Roman practitioners who write spells in Latin, and potion brewers who craft magical concoctions with food, all powered by fairy dust.
Each discipline offers a distinct approach to spell creation, but all are united by their reliance on fairy dust. This connection means that characters must maintain good relationships with the bloomfay. Either that, or engage in contract magic to force the little faries to pay tribute.

This core concept led to extensive worldbuilding, eventually shaping the story I wanted to tell with Lily. Blood and Bloom in Las Vegas has grown from this foundation into a story I'm really proud of that is fast-paced, character driven and has nice dollop of queer romance to boot.
If you’re interested, you can follow the book on Kickstarter or read the first chapter. The novel won the Flash 500 Novel Opening competition, as mentioned in my last newsletter, so I’m confident in its quality and storytelling.
The Illusion of Power
I’ve been working on a series about creating royal courts in a fantasy world, and it’s now fully published and available to members of the Just In Time World Building channel. If you want immediate access, you can join the channel, but the series will also release one episode a week over the next four weeks.
While developing this series, I realized that royal courts are essentially a massive exercise in public relations. Their entire setup is designed to create an image—both in their own minds and in the minds of those beneath them—that they are untouchable, and that it is right and just for them to rule the country. This is the big trick they pull: claiming legitimacy through birthright, backed by a bit of military might, and using pomp and ceremony to ensure that everyone believes this to be true.
Of course, nobles have a significant wealth advantage over peasants, and they use that wealth to create a military advantage. A knight can easily overpower a hundred peasants, plowing through them without even slowing down. This gives a “might-makes-right” legitimacy to their rule. However, royal courts try to avoid direct conflict with the peasantry as much as possible. And why? Well, to protect their illusion of power.
I know I sound a bit like Petyr Baelish—“Power is a shadow on the wall.” And it is, and it isn’t. The knight really does have the power to defeat a hundred peasants, but he also risks his horse stumbling and losing the fight. Even if he survives such an event, his reputation and power are damaged, making him vulnerable. The illusion of power is often more substantial than the reality.
Consider current affairs: before the war in Ukraine, it was widely believed that Russia had a massive army capable of sweeping through half of Europe. But four years later, the reality is that Russia is not nearly as powerful as feared. The damage to Putin’s reputation externally is immense. This is worth considering in the context of a royal court. If there’s a rebellion—even an unsuccessful one, or one that simply forces the king to meet with rebels—the court’s power can be fundamentally damaged unless handled very carefully. This damage leads to a reduction in legitimacy, as people stop seeing the court as this untouchable thing chosen by God.
When constructing your royal court, think about the rituals, the honor, and the lifestyle they expect. Pomp and ceremony and ritual aren’t just empty gestures—the bows, the formal conversations, the tradition of standing when the king enters the room. These rituals remind everyone where power lies and create the illusion of overwhelming power that no one would dare challenge.
If you build this understanding into your royal court—the purpose behind the rituals, the pomp, and the ceremony—you’ll create a court that feels both legitimate and real. But remember, all it takes is one foolish act by the king to unravel the illusion of power and start pulling at the threads of legitimacy.
My Projects Update
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World Building Blueprints Volume Two Nears Completion
Exciting news for world-building enthusiasts: World Building Blueprints Volume Two is shaping up to be a substantial addition to the series. Currently, the manuscript stands at 45,000 words, just 15,000 words shy of the first volume. With three more sections and one final chapter to go, the book is well on its way.
In the first volume, the final chapter was called A day in the life of... And it was all about a character living in your created world and culture. For Volume Two, which focuses on building a city, the closing chapter will be A Tourist Guide to Your City. This chapter will serve as a catch-all, much like the previous volume’s finale, providing a checklist to ensure your city is fully fleshed out and comprehensive.
That book will go into Kickstarter in this year still, I'm aiming for October if I can.
Sangwheel Tales: The Epic Continues
Turning to the world of Sangwheel, the saga continues with Sangwheel Tales. The first book in this new series, Shadow of Rebellion, has reached its initial draft at 138,000 words. Editing is underway, and while I hope to release it by the end of this year, it may realistically have to wait until early next year.
Novella News: Thief’s Magic and Upcoming Releases
For newsletter subscribers, Thief’s Magic is the 2026 novella and is available for free download (you should have a code that allows you to download the novella if you're subscribed to the newsletter). Work has begun on the novella for the 2027 newsletter subscribers, set once again in the Sangwheel universe. This story will follow Chayce, a secondary character from the main series. If you enjoyed Sangwheel Chronicles and liked Chayce, this upcoming novella is for you!
Urban Fantasy: Fishy Stories
I also kicked off a new project which entertained me, an urban fantasy story set in the present day. This story explores a world shattered by an apocalypse, but with a unique twist: a Shadowrun-inspired magical event. Magic floods back into the world, transforming people into mythological monsters and turning life upside down. The story follows Inez, a Finnish girl who becomes a mermaid while diving in the Red Sea. She can't turn back into a human and is stuck (fishy tail and all) with swimming or galumphing with her mode of locomotion. Although I got quite deep into the story and it promises to be a fun adventure, editing Sangwheel and finishing the novella take priority. So, I'll return to the mermaid malarkey... later.
And that's all from my writing desk...




